Character Study
Character Study is an exercise in which performers spend extended time developing a single character through exploration of physicality, voice, biography, and behavior. The focused work produces richer, more specific characters than the rapid choices of performance typically allow. It provides a foundation that improvisers can draw on in scene work.
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Related Exercises
Cliched Characters Instant Depth
Cliched Characters Instant Depth is an exercise in which performers begin with a stock character type and progressively add layers of specificity, contradiction, and humanity. The exercise demonstrates that any character, no matter how familiar the starting point, can become compelling through committed detail work. It trains the skill of transforming a surface choice into a full person.
John Cremer Characters and Scenes
John Cremer Characters and Scenes is a character-building and scene initiation exercise developed by UK improviser and educator John Cremer, in which participants develop distinct physicalized characters and then bring those characters into spontaneous scenes with one another. The exercise trains the connection between physical specificity and character logic, building confidence in initiating scenes from a grounded physical starting point rather than from dialogue or concept.
Create Obstacles
Create Obstacles is a scene exercise in which performers deliberately introduce complications and barriers to their characters' goals. The exercise teaches that obstacles are the engine of dramatic interest: characters who get what they want without resistance produce flat, unengaging scenes. By practicing the creation of obstacles, performers develop the instinct to generate tension and problem-solving pressure from within the scene rather than waiting for obstacles to arrive from outside.
Who Where Why Am I
Who Where Why Am I is a scene exercise in which a performer enters a space and must quickly establish their character, location, and purpose through physical behavior before any dialogue begins. The exercise prioritizes physical storytelling and teaches performers to communicate essential scene information through action rather than exposition.
Annoyance Scenes
Annoyance Scenes is an exercise rooted in the Annoyance Theatre tradition of finding the truth in aggressive, high-energy play. Performers practice scenes in which characters pursue strong wants with unapologetic directness. The exercise builds confidence in making bold choices and playing at the top of one's intelligence.
Without Sound
Without Sound is a scene exercise in which performers play an entire scene with no vocal output, communicating exclusively through physicality, facial expression, and gesture. The exercise reveals how much of scene work can be conveyed nonverbally and trains performers to make bold, clear physical choices.
How to Reference This Page
The Improv Archive. (2026). Character Study. Retrieved March 17, 2026, from https://improvarchive.org/exercises/character-study
The Improv Archive. "Character Study." The Improv Archive, 2026. https://improvarchive.org/exercises/character-study.
The Improv Archive. "Character Study." The Improv Archive, 2026, https://improvarchive.org/exercises/character-study. Accessed March 17, 2026.
The Improv Archive is a systemically maintained repository. The archive itself acts as the corporate author.